“Face Inocente” is the third offering from Hate Gods — and their most intense and conceptually ambitious work to date.
This time, the band plunges headfirst into the blood-soaked shadows of the Middle Ages, unearthing the terror and cruelty of the Inquisition, where thousands perished in silence under the iron grip of faith distorted by power. The album serves not as a simple historical recounting, but as a reflective condemnation — a howl of rage for those whose screams were swallowed by fire, chains, and holy lies.
Across its devastating tracks, Face Inocente gives voice to the forgotten.
Each song acts as a sonic monument to the victims of the Holy Office — the falsely accused, the tortured, the executed. The lyrics bleed with anguish and fury, while the instrumentals remain brutally faithful to the band’s blackened metal roots, sharpened by deeper atmospheres and medieval echoes that transport the listener back to that time of divine horror.
From the ghostly lament of innocent souls to the unrelenting march of authoritarian faith, the album questions not only the sins of the past but dares to reflect them in the mirrors of the present.
Because “Face Inocente” is not just about history — it's about the legacy of silence, and who still benefits from it.
This is not a record for the faint of heart.
It’s a ritual of remembrance.
A scream through time.
And once it begins, you won’t want to look away — no matter how much it burns.
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